“#26” and “#30”
By throwing myself headlong into the awkward and frustrating experience of writing sex, I am ceding control of my narrative.
Creating a life in the shadow of the martial law years
The United States would support the Marcos dictatorship disguised as a “constitutional coup d’etat”
We walked uphill where tall cogon grasses were already starting to don their silver shade.
I became a full-time community organizer in 1971. The Marcos government declared martial law in September 1972. A month later, the Marcos military came and arrested me.
Marcos knew that power rested not just on fear and terror, but also censorship and propaganda.
On the urgency of remembering the fourteen years of Ferdinand E. Marcos, Sr.’s military-backed dictatorship in the Philippines
When the dead depart, it’s the living who are left behind, fractured beyond recognition
What Totaram Sanadhya’s short story tells us about the space for solidarity
The “New Society” had its own tricks. Billions disappeared from the nation’s coffers, clowns filled legislative positions.
Neil Doloricon’s art centered farmers, workers, underground revolutionaries, and those on the margins
It was Imelda as much as Ferdinand who brought about the country’s ruination
The Marcoses have always been the masters of myth-making
A brief history lesson on the fourteen-year military-backed dictatorship in the Philippines
The minute I arrived at the University of the Philippines as a freshman, I joined the marches.
An exploration of forms—confession, manifesto, and anthology
I was struck by the world I tasted—woods, Baja California granite, the winter of the grapes’ growth.
I needed the concoctions F poured to quiet the things that grated and grew wilder each year—the confusion of being part white in an Arab country, part Arab in an expat world.
By throwing myself headlong into the awkward and frustrating experience of writing sex, I am ceding control of my narrative.
The “New Society” had its own tricks. Billions disappeared from the nation’s coffers, clowns filled legislative positions.
Creating a life in the shadow of the martial law years
Neil Doloricon’s art centered farmers, workers, underground revolutionaries, and those on the margins
The United States would support the Marcos dictatorship disguised as a “constitutional coup d’etat”
It was Imelda as much as Ferdinand who brought about the country’s ruination
We walked uphill where tall cogon grasses were already starting to don their silver shade.
The Marcoses have always been the masters of myth-making
I became a full-time community organizer in 1971. The Marcos government declared martial law in September 1972. A month later, the Marcos military came and arrested me.
A brief history lesson on the fourteen-year military-backed dictatorship in the Philippines
Marcos knew that power rested not just on fear and terror, but also censorship and propaganda.
The minute I arrived at the University of the Philippines as a freshman, I joined the marches.
On the urgency of remembering the fourteen years of Ferdinand E. Marcos, Sr.’s military-backed dictatorship in the Philippines
When the dead depart, it’s the living who are left behind, fractured beyond recognition
An exploration of forms—confession, manifesto, and anthology
What Totaram Sanadhya’s short story tells us about the space for solidarity
I was struck by the world I tasted—woods, Baja California granite, the winter of the grapes’ growth.
I needed the concoctions F poured to quiet the things that grated and grew wilder each year—the confusion of being part white in an Arab country, part Arab in an expat world.